The Aldine Psaltērion

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Revision as of 18:54, 4 May 2022 by Morgojon (talk | contribs) (Created page with "'''''The Aldine Psaltērion''''' is a Septuagint psalter printed around 1496 in Venice, Italy by Aldus Manutius. The text is printed in Greek in the tradition of the Septuagint and is representative of the mission of the Aldine Press to preserve and protect Greek classics from the degradation of translation.<ref name="anti-translation">Bühler, Curt F. [http://www.jstor.org/stable/24298605 "Aldus Manutius: The First Five Hundred Years."] The Papers of the Bibliographica...")
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The Aldine Psaltērion is a Septuagint psalter printed around 1496 in Venice, Italy by Aldus Manutius. The text is printed in Greek in the tradition of the Septuagint and is representative of the mission of the Aldine Press to preserve and protect Greek classics from the degradation of translation.[1]

Printed with great attention to detail, the text is a quarto featuring several intricate woodcut block prints and dual-toned Gk 146 type. The codex is fully bound in brown morocco with boards tooled in gold and blind. The Aldine Psaltērion is dated too early to have Aldus Manutius’ well-known printer’s mark of the dolphin and anchor. However, there are many other details in this edition including a red leather bookplate with gold-stamped monogram ("CKC") of Charles C. Kalbfleisch (1868-1943) affixed to the front pastedown to signify that that the codex was collected and kept within the special and rare book collection of Kalbfleisch prior to the University of Pennsylvania Libraries acquiring ownership of the text.

The Book

Book Design

The Aldine Psaltērion takes a codex form. The text comes contained in a half brown morocco slip-case with the title and imprint stamped in gold capital letters on the 5 raised band spine (“PSALTERIUM GRAECUM” below the first band, “VENETIIS ALDUS” below the second band). The codex itself is a quarto fully bound in brown morocco with boards tooled in gold and blind. On the left board, the title and imprint is stamped in gold in capital letters ("PSALTERIUM. ALDUS. VENETIIS."). On the spine of the codex there are 5 raised, gold-ruled bands and the spine panels are tooled in gold and blind. Internally, there are vellum paste downs, free endpapers, and gilt edges. Based on the condition of the text and the elaborate aesthetic elements, it is speculated that the book was most likely rebound by the late collector Charles C. Kalbfleisch. The typeface of the text marks it as a product of the Aldine Press. The text is a liturgical psalter printed completely in Greek characters using the 146 Gk typeface. Black ink is used throughout the body of the text and the first letter of each verse and headings are printed in red ink. On the opening page of the main text (AIII), a woodcut ropework border is printed from four blocks, the lateral blocks incorporating a rabbit and David playing his harp in reference to stories included in the Book of Psalms. Additionally, there is a red leather bookplate with gold-stamped monogram ("CKC") of Charles C. Kalbfleisch (1868-1943) affixed to the front pastedown. Finally, it is important to note that this edition does not contain the Manutius printer’s emblem of the dolphin and anchor as it is dated too early to contain the mark which Manutius only began printing in June 1502.[2]

Print Date

The text is confirmed to be an incunabulum, meaning it was printed before 1501. The print date is identified as 1496 in the University of Pennsylvania Aeon system; however, there is a greater debate over the date of this text which is not evident from online cataloging. With this edition of the text comes a slip of paper folded inside the cover which further details the debate over the exact print date of the text. Due to the use of type 146 Gk, The British Museum Catalogue claims:

“No exact date can be assigned to this book, but it cannot be later than the middle of 1498 when type 146 Gk went out of use.”

Additionally, this text appeared in the Aldine Price List of October 1498 at the relatively low price of 4 marcelli (about a third of a ducat). This listing further confirms the print date cannot be later than October 1498. The preface of the text is printed in Aldus' second type (a reduced version of the first), in use from August 1496. However, according to the document provided with the text:

“Some early writers held that it belonged to the series of small undated works some of which were almost certainly issues prior to the first dated book in February 1495”.

  1. Bühler, Curt F. "Aldus Manutius: The First Five Hundred Years." The Papers of the Bibliographical Society of America 44, no. 3 (1950): 205–15.
  2. Wolkenhauer, Anja and Scholz, Bernhard F. "Typographorum Emblemata: The Printer’s Mark in the Context of Early Modern Culture." Berlin, Boston: De Gruyter Saur, 2018.