Seasonal Turns: Difference between revisions

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Bea Nettles' work often lies at the intersection of different artistic mediums and frequently employs photographic experimentation. ''Seasonal Turns'' specifically combines photography with a book-like format. Nettles was one of many artists who began experimenting with new image production processes in the 1960s and 1970s.<ref>Emerson, Melanie E. "BEA NETTLES: PERFORMING IDENTITY THROUGH MYSTICAL STORYTELLING." The Journal of Artists' Books : JAB 43, (Spring, 2018): 14. https://proxy.library.upenn.edu/login?url=https://www-proquest-com.proxy.library.upenn.edu/scholarly-journals/bea-nettles-performing-identity-through-mystical/docview/2379603069/se-2.</ref> She continues to teach art and bookmaking courses at the University of Illinois at Urbana-Champaign, where she currently resides.<ref>Edgington, Colin. "In dream and soil: a conversation with Bea Nettles." Afterimage, March-April 2017, 15+. Gale In Context: Biography (accessed May 4, 2024). https://link-gale-com.proxy.library.upenn.edu/apps/doc/A493032750/BIC?u=upenn_main&sid=summon&xid=279a2f23.</ref>
Bea Nettles' work often lies at the intersection of different artistic mediums and frequently employs photographic experimentation. ''Seasonal Turns'' specifically combines photography with a book-like format. Nettles was one of many artists who began experimenting with new image production processes in the 1960s and 1970s.<ref>Emerson, Melanie E. "BEA NETTLES: PERFORMING IDENTITY THROUGH MYSTICAL STORYTELLING." The Journal of Artists' Books : JAB 43, (Spring, 2018): 14. https://proxy.library.upenn.edu/login?url=https://www-proquest-com.proxy.library.upenn.edu/scholarly-journals/bea-nettles-performing-identity-through-mystical/docview/2379603069/se-2.</ref> She continues to teach art and bookmaking courses at the University of Illinois at Urbana-Champaign, where she currently resides.<ref>Edgington, Colin. "In dream and soil: a conversation with Bea Nettles." Afterimage, March-April 2017, 15+. Gale In Context: Biography (accessed May 4, 2024). https://link-gale-com.proxy.library.upenn.edu/apps/doc/A493032750/BIC?u=upenn_main&sid=summon&xid=279a2f23.</ref>
Artists first began experimenting with new


== Physical Characteristics ==
== Physical Characteristics ==

Revision as of 20:00, 4 May 2024

Overview

Seasonal Turns is an artists' book published in 1998 by artist and author Bea Nettles.

Each booklet in Seasonal Turns was created from cardstock that printed on both sides using offset lithography, and then folded into an accordion format.

Historical Significance

Bea Nettles' work often lies at the intersection of different artistic mediums and frequently employs photographic experimentation. Seasonal Turns specifically combines photography with a book-like format. Nettles was one of many artists who began experimenting with new image production processes in the 1960s and 1970s.[1] She continues to teach art and bookmaking courses at the University of Illinois at Urbana-Champaign, where she currently resides.[2]

Artists first began experimenting with new

Physical Characteristics

Each of the booklets in Seasonal Turns is printed on a thick, glossy cardstock paper, using the technique of offset lithography, in which printable ink is transferred from one surface to the final surface. The booklets are smooth to the touch, and fold in accordion style. Each of the booklets is printed in a different monochrome, sepia tone, and contains six distinct folds that yield seven different segments, each with their own distinct photographs on the front and the back. The sepia tones come in a more blue-ish tone, green tone, and warmer red tones as well. Accordion folding is a well-established binding format in the world of bookmaking, and goes back ADD

Photographs

The photographs in Seasonal Turns comprise it's main form of textuality, as there is no written text in the book with the exception of penciled in marginalia from the book's acquisition at the University of Pennsylvania Kislak Center for Rare Books. Many of the photographs are taken from Nettles' previous works, such as stitched triptychs and the series Turning 50.[3] The photographs show many different scenes and objects, but some running themes include raw ingredients (apples and eggs), close-ups of the human body, rural architectural structures, and photographs of natural landscapes at the forest or beach. The compositing of these different photographs in the booklets means that each one can be assigned a different season, in line with the work's title of Seasonal Turns, and there being four distinct booklets. Shown below is the booklet that most likely represents the season of Winter:



What characterize this sequence of images as uniquely 'Winter' is it's inclusion of images of snow-laden lawns, someone holding a mug, and bare tree branches. The images shown on the booklets for other 'seasons' are similarly in keeping with what people might associate with those seasons.

However, beyond just the assigning of each booklet into one of four distinct seasons, the photographs are also placed next to one another for a poetic and artistic purpose as well, and serve to create affective interpretations of how one might perceive the seasons. The photographs moreover have a nostalgic quality to them, given their film-like visual texture and monochrome color scheme, that connote themes of memory, longing, childhood, or the passing of time. Given the complete lack of text in the book, the linear arrangement of the photographs encourages different 'readings' of the images from either left to right or right to left, and the different booklets can also be placed in significant relation to one another by the reader. Some of the images are intentionally collated together, in such a way that two completely different photographs will appear to meld into one single, continuous image; this effect is usually achieved through Nettles matching blocks of color on the border of one photograph with a siimilar block of color on the border of another photograph. Techniques like this one, combined with the ones described above, all contribute to a wide variety of artistic and personal readings that are possible when looking at this book.

Packaging

Even though the book can still be bought from Bea Nettles' website, its packaging and formatting have remained virtually unchanged since the book's original publishing in 1998. This is also in spite of the fact that the Prairie Book Arts Center, which distributed and likely published the book as well, is likely no longer in operation, but is still listed on the labelling on the back cover of the book.

Seasonal Turns's four booklets are all contained inside one semi-translucent plastic casing, that is open and closed by means of circular velcro pads. The actual 'covers' of the book that have printed visual and textual elements displayed on them are stickers affixed to the plastic casing.

Circulation

The book was distributed by the Prairie Book Arts Center, which no longer publishes as of 2024, but has printed and published other works of Nettles since the early 1980s. Seasonal Turns continues to straddle being both an artwork as well as a published commercially-available book. The George Eastman International Museum of Photography and Film in Rochester, New York currently owns a copy of the book in its permanent collection, while the book was also recently on display at the Ringling Museum of Art in Sarasota, Florida. Seasonal Turns's ongoing museum presence continues to emphasize the importance of Nettles' work in the development of print-format new media art, as well as the development of artists books. Aside from the book's museum circulation, Seasonal Turns is currently available for purchase from the personal website of Nettles, as well as through online e-commerce platforms like Amazon and ABeBooks.

Readership

Because Seasonal Turns cannot be read in the traditional sense, given its entirely photographic format, it's frequently used as a teaching object in the context of learning about the history of new photographic mediums, as Nettles herself writes, in talking about the book having been shown at the library of the Ringling Museum of Art.

Notes

  1. Emerson, Melanie E. "BEA NETTLES: PERFORMING IDENTITY THROUGH MYSTICAL STORYTELLING." The Journal of Artists' Books : JAB 43, (Spring, 2018): 14. https://proxy.library.upenn.edu/login?url=https://www-proquest-com.proxy.library.upenn.edu/scholarly-journals/bea-nettles-performing-identity-through-mystical/docview/2379603069/se-2.
  2. Edgington, Colin. "In dream and soil: a conversation with Bea Nettles." Afterimage, March-April 2017, 15+. Gale In Context: Biography (accessed May 4, 2024). https://link-gale-com.proxy.library.upenn.edu/apps/doc/A493032750/BIC?u=upenn_main&sid=summon&xid=279a2f23.
  3. Eastman Museum. "Bea Nettles: Seasonal Turns - Four Accordion Books." George Eastman Museum, www.eastman.org/bea-nettles-seasonal-turns-four-accordion-books.