Catharine Gould Scrapbook

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Introduction

Tucked away in the corners of archives and special collection libraries are a number of old, handmade books that have baffled historians for decades.[1] These books are often hidden under the guise of many names: scrapbooks, albums, commonplace books, blank books. Because these books were never published or circulated in the public sphere, they do not follow the rules and conventions that govern other printed books, providing little information about their production and making it difficult to catalog and understand. At the same time, because of their idiosyncratic nature, these books provide readers with a fascinating glimpse into the inner lives of their makers, offering a snapshot of reading practices at the time of their making.

One such book is Ms. Codex 1860 in the Kislak Center for Special Collections, Rare Books and Manuscripts at the University of Pennsylvania. Cataloged under the name of Catharine Gould. Less than one inch thick, the book is case-bound in lavish green leather and adorned with gold engravings and edges. Inside we find clipped and pasted published poems and images along with a number of handiworks, including handwritten notes, hand drawings and paintings, feathers, pressed flowers and leaves, and locks of hair. Though unusual to modern readers, these items are quite popular and are also found in other well-documented scrapbooks like Elizabeth Reynolds's A Medley, Anne Wagner's Memorials of Friendship, and the Elizabeth Reynolds scrapbook.[1]

Penn Libraries purchased the book at a 2017 auction at Cheffins, in Cambridge, United Kingdom with the assistance from the Zachs-Adams Rare Book Fund, and it has since remained in the hidden stacks.[2] The long history of how the book ended up at the auction remains somewhat shrouded in mystery, but we could trace its provenance to the woman named Catharine Gould, who lived in Essex County in England. There are no traces of her presence online aside from a will in which she bequeathed her manuscript books to her niece. Indeed, the first page of the scrapbook reads, "Charlotte Elizabeth Hasted from Dedham being the scrapbook made by her Aunt Catharine who died Feb. 6, 1829, aged 78 yrs.” [3]

"Books of Scraps"

Beside the unique handiworks in the scrapbook, most pages of the scrapbooks are filled with poems that are foreign to the modern readers. These are not the famous poems that we know from Georgian England; rather, we find an electric mix of charades, enigmas, epigrams, and hymns excerpted from popular, ephemeral publications, few of which are documented in digital repositories. Out of the 100+ poems I studied, I was able to find two publications that match up with clippings in terms of their content, layout, and typeface: Volume 21 of The London Magazine, Or, Gentleman's Monthly Intelligencer, and The Norfolk Ladies Memorandum Book; Or, Fashionable Pocket Repository For the Year 1793.

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  1. 1.0 1.1 Deidre Lynch, "Paper Slips: Album, Archiving, Accident," Studies in Romanticism 57, no. 1 (2018): https://proxy.library.upenn.edu/login?url=https://www.proquest.com/scholarly-journals/paper-slips-album-archiving-accident/docview/2061875748/se-2?accountid=14707.
  2. "Catharine Gould Scrapbook," Philadelphia Area Archives Research Portal, http://dla.library.upenn.edu/dla/pacscl/detail.html?id=PACSCL_UPENN_RBML_PUSpMsCodex1890.
  3. "Will of Catharine Gould, Spinster of Dedham, Essex," The National Archive, https://discovery.nationalarchives.gov.uk/details/r/D259435.