John B. Thayer Titanic Memorial Collection

From Cultures of the Book at Penn
Jump to navigation Jump to search

The John B. Thayer memorial collection of the Sinking of the Titanic is an archive of first-hand accounts, family material, and memorialization efforts kept by the Thayer family from 1912 to 2012. The collection was started in memory of John Borland Thayer Sr. (1862–1912) who died during the sinking of the ocean liner’s maiden voyage.

John Borland Thayer Sr.

Thayer’s wife, Marian Longstreth Morris Thayer, and son, John B. “Jack” Thayer, survived the tragedy and created the collection. As of 2014, the collection can be located at the University of Pennsylvania's Kislak Center for Special Collections, Rare Books and Manuscripts.

History

John "Jack" Borland Thayer Jr.

The Thayers were a prominent and wealthy family in the Philadelphia area at the turn of the 19th century. John Borland Thayer Sr. (1862-1912) was born in Philadelphia and attended the University of Pennsylvania. He was the Second Vice President of the Pennsylvania Railroad Company at the time of his death. He lived in Haverford, Pennsylvania with his wife, Marian Thayer, and their four children: John “Jack” Borland Thayer Jr. (1894-1945), Frederick Morris Thayer (1896-1956), Margaret Thayer (1898-1960), and Pauline Thayer (1901-1981). In 1912, John, Marion, and Jack traveled to Europe and boarded the RMS Titanic for their return to the United States.

Marian Longstreth Morris Thayer

On the night of April 14, 1912, the Titanic disaster began. Separated from her husband and son by a large crowd, Marian boarded lifeboat 4. As the ship began to sink, 17-year-old Jack stood by the rail with passenger Milton Long, who he’d just met, said goodbye, and jumped feet first just before it split in half. He was pulled underwater by the suction of the sinking vessel, but found refuge on an overturned lifeboat and was eventually rescued by lifeboat 12. He was reunited with his mother on the RMS Carpathia. His father's body was never recovered. (John B. Thayer memorial collection of the Sinking of the Titanic, Kislak Center for Special Collections, Rare Books and Manuscripts, University of Pennsylvania, box 1, folder 3)

Four years later, Jack graduated from the University of Pennsylvania, served as a captain in the United States Army in World War I, and began his career in banking. He married Lois Buchanan Cassatt in 1917 and had six children: Edward and John (who both enlisted in the armed forces during World War II), Lois, Julie, Pauline, and Alexander, who died a few days after his birth. Jack served as treasurer and, later, financial vice-president for the University of Pennsylvania from 1939 until his death by suicide in 1945 at the age of 50. Contributions to the depression Jack suffered from later in life were the deaths of his son, Edward, and mother, Marian. A bomber pilot during the war, Edward’s plane was shot down in 1943 and his body was never found. Marion died at her home in Haverford on April 14, 1944, the 32nd anniversary of the Titanic disaster, at the age of 72.

As a reader and researcher of the Thayer family’s history and memorial collection, I have adopted Astrid Rasch’s proposed strategy of anxious reading that subjects texts, specifically memoirs, to “critical scrutiny despite, and alongside, the empathy that we feel for our subjects…This entails acknowledging both the pain that the author has gone through and the traumatic experience of those represented, and at the same time examining the way in which that trauma is described and how it functions in the moral and political economy of the text in its context (Rasch 5). This subscription to anxious reading has allowed me to sympathetically engage with this memorial collection and the Thayer family who, as victims of a random and cruel trauma, have continued to bear witness to extreme suffering, grief, and loss since 1912. As Jack recalls in an article for the Philadelphia Evening Bulletin in 1932, "the spectacle of nearly 1,500 people struggling in the ice-cold waters of the Atlantic, and the steady roar of their voices, which kept up for 15 or 20 minutes, is a memory that does not become dim, even after 20 years" ("Sinking of Titanic," box 1, folder 4). Alongside this sympathetic reading is a critical examination of the Thayer family’s socioeconomic positions at the time of the sinking and beyond. As white Americans, aristocrats, and first-class survivors with ties to powerful institutions in the Philadelphia area, the Thayers had access to the technology, capital, and publishing resources that allowed for the creation, protection, and century-long maintenance of this extensive and historically valuable collection. Instead of ignoring the traumatic impact of the violence of the Titanic disaster on the Thayer family, I aim to follow Rasch and use this impact as a “point of departure that allows us to study not violence itself, but our own empathetic response to the traumatized victim, and to ask how such a response focuses our attention on some victims over others.” (Rasch 5)

Content

I. First-hand accounts of the sinking of the Titanic

This seems relevant to the collection to support the idea that Thayer’s initial testimony and published memoir are probably accurate retellings of what actually happened the night of the shipwreck and reliable accounts of history. [1]

II. Thayer family material

III. Efforts to memorialize the sinking of the Titanic

Notable Items

Newspaper Scrapbook of Jack Thayer's Testimony

They news clippings have been cut out and pasted to sheets of manila paper and were probably bound together in a binder, as evidenced from a hole punched on the left side of each sheet of paper. from over 57 newspapers nationwide. The first of Mussell’s arguments is that surviving ephemera are an essential and uncanny part of cultural memory. As symbols of everyday, mundane life printed ephemera ``stand for the complexity of the quotidian and their persistence belies the selective acts of memory through which we narrate our relation to the past” [2] Mussell also discusses the industrialization of print in the Victorian era and examines how newspapers at once acted as informational media and objects of record. I think these arguments could be applied to this memorial collection given that it begins with Thayer’s large collection of news clippings documenting his initial survivor’s testimony and other important events as they occurred after the shipwreck like the construction of memorials, the display of recovered artifacts and survivors’ deaths. The Thayer family’s careful curation and deliberate preservation of these specific clippings relay the type of history that they—as victims of tragedy—selected to remember and record. Cite error: Invalid <ref> tag; invalid names, e.g. too many

The Sinking of the S.S. Titanic, April 14-15, 1912

Rasch argues for a method of anxious reading of trauma memoirs that dares to “subject texts to critical scrutiny despite, and alongside, the empathy that we feel for our subjects…This entails acknowledging both the pain that the author has gone through and the traumatic experience of those represented, and at the same time examining the way in which that trauma is described and how it functions in the moral and political economy of the text in its context." [3] (5). I believe this is relevant to the Thayer collection, and especially his memoir, in that it encourages a critical examination of Thayer, as a wealthy, white, first-class survivor and historical authority of the Titanic tragedy. How likely is it that the few impoverished immigrants who survived the wreck were able to manage a collection as vast as Thayer’s or had access to the technology, capital, or publishing resources that aided in the creation (and copyright protection) of Thayer’s memoir?

Letter regarding James Cameron's Titanic

Letter from Merie Weismiller Wallace regarding James Cameron's 1997 film Titanic

and manifests more official and authoritative efforts to memorialize the tragedy, including Jack’s privately published memoir, the public re-publishing of the same memoir by his cousin, and documentation of James Cameron’s efforts to authenticate his film by consulting Thayer family records. Some of my photos of the collection are linked here. Middleton and Woods argue that contemporary popular culture imagines the past as a traumatic memory to which access can be gained through a technics of memory and representation which will reveal it as a witnessable location in time and space. They effectively do so by examining the James Cameron’s 1997 film Titanic and Walter Lord’s 1995 book A Night to Remember and their reliance on the Titanic archive—including first-hand accounts (like Thayer’s), footage and recovered artifacts of the wreck—to produce commodified spectacles of history that redeems the past in the present and shapes contemporary social memory of the tragedy. Besides featuring the influence of Thayer’s memoir on Lord’s book, I think this article is relevant to the collection because its ideas on the progression of historical representations of tragedy mirror the representations of the past seen in the collection from 1912-2014. [4]

Legacy

References

  1. Riniolo, T. C., Koledin, M., Drakulic, G. M., & Payne, R. A. An archival study of eyewitness memory of the titanic's final plunge. The Journal of General Psychology, 130(1), 2003. 89-95. Retrieved from https://proxy.library.upenn.edu/login?url=https://www.proquest.com/scholarly-journals/archival-study-eyewitness-memory-titanics-final/docview/213652240/se-2?accountid=14707
  2. Mussell, James. "THE PASSING OF PRINT: Digitising Ephemera and the Ephemerality of the Digital." Media History, vol. 18, no. 1, 2012. pp. 77-92.
  3. Rasch, Astrid. "Anxious Reading: Interrogating Selective Empathy in Trauma Memoirs." Auto/biography Studies, 2021, pp. 1-26.
  4. Peter Middleton & Tim Woods. “Textual memory: The making of the Titanic's literary archive.” Textual Practice, 15:3, 2001, 507-526. DOI: 10.1080/09502360110070420