The History of Tom Thumb: Difference between revisions
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===Toy books=== | ===Toy books=== | ||
During the 19th century, publishers of children’s picture books became known as “toy books” for their nature of being sold alongside candy and stationary sets in general stores as according to book historian at the Kislak center, John Pollack. Because while chapter and pictures books were utilized to encourage early childhood education and | During the 19th century, publishers of children’s picture books became known as “toy books” for their nature of being sold alongside candy and stationary sets in general stores as according to book historian at the Kislak center, John Pollack. Because while chapter and pictures books were utilized to encourage early childhood education and reading, for both book historians and child readers themselves, the picture book served an important role in as an object itself. According to English and children’s literature professor at Indiana University Northwest, George Bodmer, he describes the physical properties of the toy book as the following: | ||
<blockquote>“It's something to be held, sniffed, tasted, and enjoyed. It's a toy, an object to bring amusement. In the case of pop-up books, or shaped or textured books, for instance, this objective nature is literally true. It's hardware.”</blockquote> | |||
Additionally, the Britain dominated the realm of children’s literature, demonstrating the presence of London being listed as the publication city for many of the toy books. The series of 16 toy books were also published directly from Otley Publishing Company, a publishing and stationary company that operated in Hanover Square from 1826-1834. This influence of the toy book soon spread to America as one of the books featured in the Tom Thumb collection, Divine and Moral Songs for the Use of Children, was published in New York City and followed similar toy book publishing practices in terms of paper material, size, and imaging. | |||
===The Story of Tom Thumb=== | ===The Story of Tom Thumb=== |
Revision as of 01:13, 4 May 2022
Introduction
Checking out The history of Tom Thumb found in the University of Pennsylvania’s Kislak Center for Special Collections, Rare Books, and Manuscripts, not only is one presented with the classic British fairytale, but rather, they are presented with a large collection of early children’s literature dating all the way back to the early 19th century. Upon giving one’s name at Kislak, the staff will not deliver the type of simple little picture book that one flips through as a child, but rather, they will present a codex-appearing box with a weathered and embellished spine that reads “History of Tom Thumb” and “Dialogue Between Two Country Lovers” in gold.
Containing 22 early reader chapter books and toy books, The history of Tom Thumb goes beyond the three-part story and contains a variety of early picture books that demonstrate children’s literature of the 19th century. Each of them is no more than 24 pages and have the ability to fit in the palm of one’s hand, demonstrating how both their content and physical material were designed for their audience: children.
History
Toy books
During the 19th century, publishers of children’s picture books became known as “toy books” for their nature of being sold alongside candy and stationary sets in general stores as according to book historian at the Kislak center, John Pollack. Because while chapter and pictures books were utilized to encourage early childhood education and reading, for both book historians and child readers themselves, the picture book served an important role in as an object itself. According to English and children’s literature professor at Indiana University Northwest, George Bodmer, he describes the physical properties of the toy book as the following:
“It's something to be held, sniffed, tasted, and enjoyed. It's a toy, an object to bring amusement. In the case of pop-up books, or shaped or textured books, for instance, this objective nature is literally true. It's hardware.”
Additionally, the Britain dominated the realm of children’s literature, demonstrating the presence of London being listed as the publication city for many of the toy books. The series of 16 toy books were also published directly from Otley Publishing Company, a publishing and stationary company that operated in Hanover Square from 1826-1834. This influence of the toy book soon spread to America as one of the books featured in the Tom Thumb collection, Divine and Moral Songs for the Use of Children, was published in New York City and followed similar toy book publishing practices in terms of paper material, size, and imaging.
The Story of Tom Thumb
The story of Tom Thumb is a classic example of British folklore, an authorless story that continues to be told for centuries and printed in a variety of ways. Captured in three parts, the story highlights a little boy by the titular name who gets into adventures and mischief, whether it’s meeting King Arthur and the Knights of the Round Table or falling into horse dung accidentally
Material Analysis
The Book Container
Early Chapter and Toy Book Binding
Paper Material
Content
The History of Tom Thumb
Earl of Warwick
Otley Chapter Toy Books
Divine and Moral Songs
Significance
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