A Broadside series: Difference between revisions
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== Background == | == Background == | ||
===United Kingdom of Great Britain and Ireland=== | |||
Ireland’s history as fully part of the English, later British, Empire began in 1601 when Gaelic Ireland was defeated at the siege of Kinsale. In January 1919, Dáil Éireann, a breakaway government, declared independence, claiming jurisdiction over the whole of Ireland, but the island was partitioned in May 1921, today, the Republic of Ireland and Northern Ireland. Northern Ireland opted out of the Irish Free State when it was established under the Anglo-Irish Treaty in December 1922. The statutory role of the British monarchy in this territory did not end until 1948 when it was declared the Republic of Ireland. | |||
===Irish Literary Revival=== | ===Irish Literary Revival=== | ||
From the late 19th to early 20th century, Dublin was the center of the Irish Literary Revival, in which W.B. Yeats was a prominent figure. The movement was aligned with strong political nationalism and a revival of interest in Ireland’s Gaelic literary heritage. | |||
===Yeats Family=== | ===Yeats Family=== | ||
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====E.C. Yeats==== | ====E.C. Yeats==== | ||
Elizabeth Corbet “Lolly” Yeats, "E.C. Yeats" on each issue of ''A Broadside'', was the first commercial printer in Ireland to work exclusively with hand presses. Yeats was a founder of Dun Emer Guild with Dun Emer Press evolving into Cuala | Elizabeth Corbet “Lolly” Yeats, "E.C. Yeats" on each issue of ''A Broadside'', was the first commercial printer in Ireland to work exclusively with hand presses. Yeats was a founder of Dun Emer Guild with Dun Emer Press evolving into Cuala Press. She was the sister of Irish poet, playwright, and politician W.B. Yeats, who is known as a driving force behind the Irish Literary Revival. | ||
====Jack Yeats==== | ====Jack Yeats==== | ||
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===Substate=== | ===Substate=== | ||
The sheets are made out of paper. The material had a cotton-y, rag-like quality to it. You can see the ink through the paper. Swift Brook Paper Mills in Saggart, County Dublin, where the paper used to print the Easter Proclamation in 1916 was sourced, was W.B. Yeats’ mill of choice. The material they used was rags collected daily in Dublin. | The sheets are made out of paper. The material had a cotton-y, rag-like quality to it. You can see the ink through the paper. Swift Brook Paper Mills in Saggart, County Dublin, where the paper used to print the Easter Proclamation in 1916 was sourced, was W.B. Yeats’ mill of choice. The material they used was rags collected daily in Dublin. | ||
===Format=== | ===Format=== | ||
Each is a broadside folded once to produce four pages. That is to say, it is produced in a folio format. Each sheet is folded once and printed on both sides. | Each is a broadside folded once to produce four pages. That is to say, it is produced in a folio format. Each sheet is folded once and printed on both sides. | ||
Despite the title of the series, ''A Broadside'', they do not appear to be true broadsides: printed on both sides, folded into booklets, and seemingly intended to be distributed rather than posted. | Despite the title of the series, ''A Broadside'', they do not appear to be true broadsides: printed on both sides, folded into booklets, and seemingly intended to be distributed rather than posted. | ||
===Binding and Structure=== | ===Binding and Structure=== | ||
Each sheet is not bound to each other, existing in its own form; however, they are stored in a sturdy red slipcase. There is no design, illustration, or pattern on the slipcase, and, on first look, I would not believe it to be contemporary with the publication date due to its high, clean, and unworn quality. These documents, published at varying dates between 1908 and 1915, could not have been retained in their entirety together until the date of the last publication in this series. However, that is not to say this linen could not have been developed for this purpose beforehand. | Each sheet is not bound to each other, existing in its own form; however, they are stored in a sturdy red slipcase. There is no design, illustration, or pattern on the slipcase, and, on first look, I would not believe it to be contemporary with the publication date due to its high, clean, and unworn quality. These documents, published at varying dates between 1908 and 1915, could not have been retained in their entirety together until the date of the last publication in this series. However, that is not to say this linen could not have been developed for this purpose beforehand. | ||
===Navigation=== | ===Navigation=== | ||
In every issue, the title of the series “A BROADSIDE” is printed at the top of the first page in the largest font. Everything else appears in the same size font. Above this, it states the year of the issue (to the left), and centered below it, it states the date. Below this and aligned to the left, it states who it was published by, what press, the name and location of the press, and the cost of a subscription. This is all capitalized. Then an image separates this information from the main text (which is in lowercase). In the booklet, there are two poems separated by an image. Most poems, though not all, have a centered, capitalized title, italicized, centered subheading beneath it, the main text, and then the name of the author. Below this and aligned to the right is the phrase “300 copies only.” A second image on the second page separates the first poem from the second with the same information if available (some poems don’t have titles, subheadings, or named authors). Most of the time, the third image, which is always on the third page, appears by itself without any supporting text on that page. | In every issue, the title of the series “A BROADSIDE” is printed at the top of the first page in the largest font. Everything else appears in the same size font. Above this, it states the year of the issue (to the left), and centered below it, it states the date. Below this and aligned to the left, it states who it was published by, what press, the name and location of the press, and the cost of a subscription. This is all capitalized. Then an image separates this information from the main text (which is in lowercase). In the booklet, there are two poems separated by an image. Most poems, though not all, have a centered, capitalized title, italicized, centered subheading beneath it, the main text, and then the name of the author. Below this and aligned to the right is the phrase “300 copies only.” A second image on the second page separates the first poem from the second with the same information if available (some poems don’t have titles, subheadings, or named authors). Most of the time, the third image, which is always on the third page, appears by itself without any supporting text on that page. | ||
===Illustrations=== | ===Illustrations=== | ||
Each issue has three illustrations, one on each page (excluding the last page). Two are usually hand-colored. Most often the photo on the third page is uncolored, although this varies by issue. Many of the illustrations prominently feature traveling and/or the countryside. Each illustration is signed by Jack B. Yeats, E.C. Yeats’ brother, in the bottom left or bottom right corner. While not an often featured author, Yeats wrote a small number of poems within the series. | Each issue has three illustrations, one on each page (excluding the last page). Two are usually hand-colored. Most often the photo on the third page is uncolored, although this varies by issue. Many of the illustrations prominently feature traveling and/or the countryside. Each illustration is signed by Jack B. Yeats, E.C. Yeats’ brother, in the bottom left or bottom right corner. While not an often featured author, Yeats wrote a small number of poems within the series. | ||
Revision as of 15:50, 5 May 2024
A Broadside was a periodical, published monthly by Elizabeth Corbet (E.C.) Yeats at the Cuala Press in Dublin, Ireland, from June 1908 to May 1915. There are seven volumes of this set of A Broadside, each starting in June and ending in May of the year after. The Kislak Center for Special Collections, Rare Books, and Manuscripts at the University of Pennsylvania holds two volumes in full, the first year from June 1908 to May 1909 and the second year from June 1909 to May 1910, and various issues from the ensuing volumes until May 1915, the last issue of the set. The series includes poems by James Stephens, Lady Gregory, Seamus O'Sullivan, William Butler (W.B.) Yeats, and others, and translations into English from George Borrow, Douglas Hyde, and others. Jack Butler Yeats, the brother of E.C. and W.B. Yeats, illustrated the series. Each edition of A Broadside had 300 copies.
Background
United Kingdom of Great Britain and Ireland
Ireland’s history as fully part of the English, later British, Empire began in 1601 when Gaelic Ireland was defeated at the siege of Kinsale. In January 1919, Dáil Éireann, a breakaway government, declared independence, claiming jurisdiction over the whole of Ireland, but the island was partitioned in May 1921, today, the Republic of Ireland and Northern Ireland. Northern Ireland opted out of the Irish Free State when it was established under the Anglo-Irish Treaty in December 1922. The statutory role of the British monarchy in this territory did not end until 1948 when it was declared the Republic of Ireland.
Irish Literary Revival
From the late 19th to early 20th century, Dublin was the center of the Irish Literary Revival, in which W.B. Yeats was a prominent figure. The movement was aligned with strong political nationalism and a revival of interest in Ireland’s Gaelic literary heritage.
Yeats Family
E.C. Yeats
Elizabeth Corbet “Lolly” Yeats, "E.C. Yeats" on each issue of A Broadside, was the first commercial printer in Ireland to work exclusively with hand presses. Yeats was a founder of Dun Emer Guild with Dun Emer Press evolving into Cuala Press. She was the sister of Irish poet, playwright, and politician W.B. Yeats, who is known as a driving force behind the Irish Literary Revival.
Jack Yeats
W.B. Yeats
Periodicals in Ireland
Material Analysis
Substate
The sheets are made out of paper. The material had a cotton-y, rag-like quality to it. You can see the ink through the paper. Swift Brook Paper Mills in Saggart, County Dublin, where the paper used to print the Easter Proclamation in 1916 was sourced, was W.B. Yeats’ mill of choice. The material they used was rags collected daily in Dublin.
Format
Each is a broadside folded once to produce four pages. That is to say, it is produced in a folio format. Each sheet is folded once and printed on both sides. Despite the title of the series, A Broadside, they do not appear to be true broadsides: printed on both sides, folded into booklets, and seemingly intended to be distributed rather than posted.
Binding and Structure
Each sheet is not bound to each other, existing in its own form; however, they are stored in a sturdy red slipcase. There is no design, illustration, or pattern on the slipcase, and, on first look, I would not believe it to be contemporary with the publication date due to its high, clean, and unworn quality. These documents, published at varying dates between 1908 and 1915, could not have been retained in their entirety together until the date of the last publication in this series. However, that is not to say this linen could not have been developed for this purpose beforehand.
In every issue, the title of the series “A BROADSIDE” is printed at the top of the first page in the largest font. Everything else appears in the same size font. Above this, it states the year of the issue (to the left), and centered below it, it states the date. Below this and aligned to the left, it states who it was published by, what press, the name and location of the press, and the cost of a subscription. This is all capitalized. Then an image separates this information from the main text (which is in lowercase). In the booklet, there are two poems separated by an image. Most poems, though not all, have a centered, capitalized title, italicized, centered subheading beneath it, the main text, and then the name of the author. Below this and aligned to the right is the phrase “300 copies only.” A second image on the second page separates the first poem from the second with the same information if available (some poems don’t have titles, subheadings, or named authors). Most of the time, the third image, which is always on the third page, appears by itself without any supporting text on that page.
Illustrations
Each issue has three illustrations, one on each page (excluding the last page). Two are usually hand-colored. Most often the photo on the third page is uncolored, although this varies by issue. Many of the illustrations prominently feature traveling and/or the countryside. Each illustration is signed by Jack B. Yeats, E.C. Yeats’ brother, in the bottom left or bottom right corner. While not an often featured author, Yeats wrote a small number of poems within the series.