Collection of Chinese Culture: Stone Rubbings

These 4 scrolls containing stone rubbings belong to a collection located at the University of Pennsylvania's Kislak Center for Special Collections, Rare Books and Manuscripts. The collection contains a total of 9 scrolls consisting of 4 stone rubbings, 4 vertically printed Chinese characters, and 1 lattice filled with Chinese characters. This collection can be accessed here

Stone Rubbings (Buddhist Figures)

Overview

Of the 4 stone rubbings, 2 of them are Buddhist figures. The Buddhist Figures are vertically imprinted within the scrolls and span across the entire length of the scrolls. One of the Buddhist figures, the one facing the right, pictures a Buddhist with a halo above its head. The Buddhist can be seen wearing a long robe while holding a small pouch in his left hand. The second Buddhist stone rubbing faces the left direction with his hands clasped together in a "praying" motion. This Buddhist has his hair tied up in a bun while also wearing a long robe draped over his shoulders, similar to how a modern-day shawl would be worn.

Historical Context

Both Buddhist figures had a short description/note attached. The note for the Buddhist with the halo read "Rubbing - Buddhist figure with a halo (better face than the other halo figure)" and the note for the other Buddhist figure read "Rubbing of Buddhist figures from T’ien-Leeng-Shen (good quality and condition)". Besides that, the descriptions belonging to the 2 Buddhist figures contained no relevant information about their creator or date of origin. Two other scrolls within the collection belonged to Theodore Bodde, a sinologist (someone who studies Chinese history, language, and culture) who taught at the University of Pennsylvania for many years. Bodde immigrated to the United States during the twentieth century as a Dutch-born electrical engineer. He taught physics at Nyang College in Shanghai, China in 1919. It can be assumed that these scrolls containing the stone rubbings were also under Bodde's possession due to the nature of the scrolls belonging to a collection. This collection was probably either gifted to the University of Pennsylvania or bought by the University of Pennsylvania before/after Bodde's death.

Buddhism is one of the core religions practiced in China. In China, temples and churches commonly had Buddhist statues at the entrances or inside these religious places of worship. These stone rubbings were most likely made from Buddhist statues outside one of these religious temples/churches in China. The scrolls could have been hung inside these religious buildings or stored specifically to preserve the religious culture of Buddhism.

Material

The stone rubbings were imprinted on scrolls, a substrate commonly used in China. The scrolls were made with a cylindrical wooden block

Technique

Stone rubbing. is a technique of engraving calligraphy or images from stones onto paper. This form of preservation and art was very commonly used since the discovery of paper back in China. In essence, the technique of stone rubbing predated the invention of copying machines. The process of stone rubbing started by soaking a piece of rice paper in water; rice paper was desired for its high durability and absorptive properties. After that, the rice paper would be laid across the stone engraving as an ink-soaked cloth is gently pressed against the rice paper, imprinting the calligraphy/image onto the paper. Another alternative to an ink-soaked cloth was a charcoal crayon which was rubbed on the paper against the stone engraving, producing similar results. This technique is quite similar to relief printing. Stone-rubbing techniques have been utilized in China since 420-589 AD during the Southern and Northern Dynasties. As an ancient craft, many people still practice stone rubbing techniques in addition to passing down their knowledge to the next generations to keep the tradition alive.

Stone Rubbings (Rectangular Scenes)

include references + pictures + footnotes/citations

References

</ref>Li, Rui, et al. “Reconfiguration of the Brain during Aesthetic Experience on Chinese Calligraphy—Using Brain Complex Networks.” Visual Informatics, vol. 6, no. 1, 10 Feb. 2022, pp. 35–46.</ref>