Perpetual Card: Vaticinia Varia: Difference between revisions
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==Manuscript Structure== | ==Manuscript Structure== | ||
[[File:London Calendar.jpeg| | [[File:London Calendar.jpeg|300px|thumb|left|Title Page, a calendar of the year 1688]] | ||
The book begins with a title page of a circle illustration with the words “London 1688” written in the middle (see photo 1.1). Numbers and dates surround the words in the middle. It is thus inferred that the manuscript was written in the year 1688, in London. However, the time that this manuscript | The book begins with a title page of a circle illustration with the words “London 1688” written in the middle (see photo 1.1). Numbers and dates surround the words in the middle. It is thus inferred that the manuscript was written in the year 1688, in London. However, this may not necessarily be the time that this manuscript was bound together into a notebook with gilt calf. From eye observation, the calf binding appears to be from a much newer date (see photo 1.2). | ||
[[File:Calf Binding.jpeg|300px|thumb|right|Gilt calf binding with delicate patterns pressed in. The side of the book shows signs of rebinding of manuscript. The side of the gilt calf details “London, 1688,” with words pressed in and gilted]] | |||
There is a possibility that the book may have been rebound again by the collector or later readers. The patterns on the calf are delicately pressed and adorned with gilt. On the right side, there appear to be two metal locks. However, whether these locks were initially created to be functional or ornamental remains unsure. At its present stage, the metal locks do not appear to serve any particular purpose (i.e. locking up the text). Another reason the manuscript may be written and bound at different time periods is because of the marbled paper glued between the outer calf layer and the first page. This manuscript begins and ends with sheets of delicately-created marbled paper, consisting of deep red, sky blue, white, and light yellow oil colorings (see photo 1.3). This marbled paper is made in the nonpareil pattern, which was seen predominantly in 19th and 20th century. It may be suspected that the manuscript was first written in 1688, but later bound together into a notebook with a nice calf book cover by a collector, one or two centuries later. The date indicated on the title page clearly does not match that of the cover and the marbled paper. | |||
==Astrological Traditions== | ==Astrological Traditions== | ||
Revision as of 01:41, 30 April 2022
Perpetual card: Vaticina Varia is a manuscript hand-written by an unknown author, detailing various fortune telling methods and astrological conventions. The name perpetual card means a perpetual calendar, sometimes also called an infinite calendar. This manuscript contains a calendar for the year of 1688, explanations on how to calculate the date for feasting and traditional holidays, as well as extensive examples and notes on astrological predictions. Perpetual card approaches the art of fortune-telling through numeric calculations, Christian traditions, and astrological observations. This manuscript was originally collected by the Henry Charles Lea Library, and now stored in theKislak Center for Special Collections, Rare Books and Manuscripts at the University of Pennsylvania.
Manuscript Structure
The book begins with a title page of a circle illustration with the words “London 1688” written in the middle (see photo 1.1). Numbers and dates surround the words in the middle. It is thus inferred that the manuscript was written in the year 1688, in London. However, this may not necessarily be the time that this manuscript was bound together into a notebook with gilt calf. From eye observation, the calf binding appears to be from a much newer date (see photo 1.2).
There is a possibility that the book may have been rebound again by the collector or later readers. The patterns on the calf are delicately pressed and adorned with gilt. On the right side, there appear to be two metal locks. However, whether these locks were initially created to be functional or ornamental remains unsure. At its present stage, the metal locks do not appear to serve any particular purpose (i.e. locking up the text). Another reason the manuscript may be written and bound at different time periods is because of the marbled paper glued between the outer calf layer and the first page. This manuscript begins and ends with sheets of delicately-created marbled paper, consisting of deep red, sky blue, white, and light yellow oil colorings (see photo 1.3). This marbled paper is made in the nonpareil pattern, which was seen predominantly in 19th and 20th century. It may be suspected that the manuscript was first written in 1688, but later bound together into a notebook with a nice calf book cover by a collector, one or two centuries later. The date indicated on the title page clearly does not match that of the cover and the marbled paper.