Scrapbooks & Theatricals in Philadelphia: Difference between revisions
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The Theatricals in Philadelphia vol. 1 is a collection of clippings from theatricals in Philadelphia, as well as several from New York City and Boston. The scrapbook is Series I out of 15 scrapbooks. The clippings included in the scrapbook span between 1838-1887. The creator of the scrapbook is unknown; however, it is said that the scrapbook was made “over a lifetime.” The clippings are all from American publications, yet some of the clippings are written in French. This is because many theatricals in Philadelphia were either based on or trying to imitate the theatre culture in France. The clippings showcase the places and people who were featured in the theatre/entertainment/shows of the latter half of the 19th century. The book includes over 300 pages of clippings from newspapers, theatre pamphlets, photographs, and advertisements. | |||
==Overview== | ==Overview== | ||
The | The book gives the reader an overview of the theatre culture of Philadelphia in the second half of the 19th century. It shows the vibrant network of theatres, actors, and actresses that emerged throughout Philadelphia. The number of clippings show not only the cheapness of printed work during the period but also the number of performances that were featured. The reader also gains insight into which actors/actresses the creator of the scrapbook enjoyed most or which actors/actresses were most famous in Philadelphia. | ||
The | |||
The book | The book itself is not copyrighted; however, the clippings within the books were copyrighted. With that being said, all of them are out of copyright now since the copyright only lasts for 95 years. [[File:Clothier Collection.jpg|thumb|Title Page]] The clippings themselves are grouped by author/publisher of the works, as well as grouped by actresses/actors that are included in the book. This shows that the manuscript was well-planned prior to the creation of the scrapbook. <ref name="theatricals">"Theatricals in Philadelphia" scrapbooks, 1838-1936 (bulk 1838-1897). Series I, Volume 1 (generally focusing on opera), 1850-1896.</ref> | ||
==History of scrapbooks== | ==History of scrapbooks== | ||
[https://en.wikipedia.org/wiki/ | [https://en.wikipedia.org/wiki/Scrapbooking_ Scrapbooks] have a long history in the United States. They became popular with the invention of the printing press which allowed for cheap printed text to be glued into books. Newspapers began to profit not solely from revenue but also profited from advertising sales. Newspaper clippings allowed readers to save, manage, and reprocess information. By the 19th century, tens of thousands, and possibly hundreds of thousands, of Americans made scrapbooks. People from all different classes and backgrounds, as well as people with diverse education order to express themselves.<ref>“Theatre Survey: Volume 54 - Issue 2.” Cambridge Core, https://www.cambridge.org/core/journals/theatre-survey/issue/2337060E2A695E212C6B4E052ADF3FDE. </ref> Authors would clip records of their works and make scrapbooks to reference and keep account of publications, physicians documented their own medical careers through scrapbooking, and actors, who were, particularly avid scrapbookers, pieced together reviews and playbills.<ref name="garvey">"Garvey, Ellen Gruber. Writing with Scissors: American Scrapbooks from the Civil War to the Harlem Renaissance. Oxford University Press, 2013.</ref> | ||
Theatre is a profession in which performers get applauded for their work and discussed in public forums; however, the work itself is ephemeral. [https://www.english.upenn.edu/people/ellen-gruber-garvey_ Ellen Garvey], a scrapbooking historian, points out that scrapbooks were so popular in the entertainment industry, as it was more permanent. Moreover, McGillivray, another historian, calls such artifacts "placeholders in history, tokens that mark that a particular performance occurred at all.” Scrapbooks can also teach us about the key areas in theatre studies, such as national, gendered, and racial performance. They offer us an abundance of information about regional cultural differences, the economy, politics, and sociology. <ref | Theatre is a profession in which performers get applauded for their work and discussed in public forums; however, the work itself is ephemeral. [https://www.english.upenn.edu/people/ellen-gruber-garvey_ Ellen Garvey], a scrapbooking historian, points out that scrapbooks were so popular in the entertainment industry, as it was more permanent. Moreover, McGillivray, another historian, calls such artifacts "placeholders in history, tokens that mark that a particular performance occurred at all.” Scrapbooks can also teach us about the key areas in theatre studies, such as national, gendered, and racial performance. They offer us an abundance of information about regional cultural differences, the economy, politics, and sociology.<ref name="garvey"/> | ||
==How it got to UPenn== | ==How it got to UPenn== | ||
| Line 17: | Line 17: | ||
==Theatricals in Philadelphia== | ==Theatricals in Philadelphia== | ||
Philadelphia has witnessed a vibrant theatre scene throughout the city. [[File: | Philadelphia has witnessed a vibrant theatre scene throughout the city.[[File:VictoriaVokes.jpeg|thumb|Actress Victoria Vokes]] A large number of African-American performers emerged from Philadelphia, many of whom performed at the Standard Theatre in Philadelphia. [https://www.walnutstreettheatre.org/_The Walnut Street Theatre], which stands out as the most famous theatre in Philadelphia hosted hundreds of thousands of attendants. The theatre was founded in 1808 and is located on the corner of S. 9th Streat in the Washington Square West neighborhood of Philadelphia. The theatre is the oldest operating theatre in the United States. Philadelphia was a pioneer for the theatre industry in the United States and thus, attracted some of the most famous performers. <ref>“History of the Theatre -- Walnut Street Theatre -- Philadelphia, PA -- Official Website.” Walnut Street Theatre, https://www.walnutstreettheatre.org/about/theatre-history.php. </ref> | ||
As a result of Philadelphia being one of the first cities to include a theatre culture, the scrapbook enjoys ample clippings to use in the book. Philadelphia can also serve as a scene for some of the most prominent performers due to the size of the industry. Its proximity to New York and Boston allowed for some of the United State's largest performers able to perform throughout the east coast, including the city of Philadelphia. Many of the theatres dating back to the 19th century, including the Walnut Street Theatre, are still operating today. | As a result of Philadelphia being one of the first cities to include a theatre culture, the scrapbook enjoys ample clippings to use in the book. Philadelphia can also serve as a scene for some of the most prominent performers due to the size of the industry. Its proximity to New York and Boston allowed for some of the United State's largest performers able to perform throughout the east coast, including the city of Philadelphia. Many of the theatres dating back to the 19th century, including the Walnut Street Theatre, are still operating today. | ||
| Line 24: | Line 24: | ||
Professor Arthur Hobson Quinn (1875-1960), joined the [https://en.wikipedia.org/wiki/University_of_Pennsylvania_University of Pennsylvania] as a student in 1894 where he received his B.S. and Ph.D. He was appointed an instructor at Penn in mathematics and eventually became an English instructor in 1895. He was then appointed Assistant Professor of English in 1904 and ultimately held the title Welsh Professor of History and English, a very prestigious title. Quinn was appointed as Dean of the College in 1912 and would serve the university as dean until 1922. <ref>Department of English, 1 Jan. 1899, https://www.english.upenn.edu/people/arthur-hobson-quinn.</ref> | Professor Arthur Hobson Quinn (1875-1960), joined the [https://en.wikipedia.org/wiki/University_of_Pennsylvania_University of Pennsylvania] as a student in 1894 where he received his B.S. and Ph.D. He was appointed an instructor at Penn in mathematics and eventually became an English instructor in 1895. He was then appointed Assistant Professor of English in 1904 and ultimately held the title Welsh Professor of History and English, a very prestigious title. Quinn was appointed as Dean of the College in 1912 and would serve the university as dean until 1922. <ref>Department of English, 1 Jan. 1899, https://www.english.upenn.edu/people/arthur-hobson-quinn.</ref> | ||
The set of books is part of the [https://uniqueatpenn.wordpress.com/2019/06/12/the-theatricals-in-philadelphia-scrapbooks-or-how-yesterdays-old-stuff-became-the-treasure-trove-of-today/_Clothier Collection of American Drama]. Under the supervision of Quinn, the collection was expanded significantly. Quinn also oversaw the compilation of the title index, which was completed in 1936 by an unknown employee of the Works Progress Administration. It is believed that numbered pages were penciled in during this time. | The set of books is part of the [https://uniqueatpenn.wordpress.com/2019/06/12/the-theatricals-in-philadelphia-scrapbooks-or-how-yesterdays-old-stuff-became-the-treasure-trove-of-today/_Clothier Collection of American Drama]. Under the supervision of Quinn, the collection was expanded significantly. Quinn also oversaw the compilation of the title index, which was completed in 1936 by an unknown employee of the Works Progress Administration. It is believed that numbered pages were penciled in during this time. To those interested in Philadelphia theatrical affairs the collection is invaluable.”<ref name="theatricals" /> As a result of Quinn, the reader is able to have a better ability to navigate the book better, as well as an index for all 15 volumes. | ||
[[File: | [[File:Cartoon.jpg|frameless|border|When the Strangers Homeward]] | ||
==Material== | ==Material== | ||
The volumes have two different sets of bindings, one which has a title and the other which does not. The book is handmade and everything is original. There is a title index as well that is meant to give an index to all 15 volumes of the albums. The scrapbook is made from acidic paper from wood pulp, as well as pasteboard/cardboard. The cover is made from red canvas. All of the clippings are black and white except on page 238 which has some blue and red ink. <ref | The volumes have two different sets of bindings, one which has a title and the other which does not. The book is handmade and everything is original. There is a title index as well that is meant to give an index to all 15 volumes of the albums. The scrapbook is made from acidic paper from wood pulp, as well as pasteboard/cardboard. The cover is made from red canvas. All of the clippings are black and white except on page 238 which has some blue and red ink.<ref name="theatricals" /> Many of the clippings that have images, which are not photographs, were produced using woodcuts. | ||
There are some clippings and writing that only include a clipping of the name of the performer being shown on the page in order to include the name of the performer. Moreover, On some of the photographs or cutouts of women, underneath it is penciled in who they are (this is only present when there is no newspaper clipping with the name on it). Many pages either have “The University of Pennsylvania” pressed into the book or written in pencil. | There are some clippings and writing that only include a clipping of the name of the performer being shown on the page in order to include the name of the performer. Moreover, On some of the photographs or cutouts of women, underneath it is penciled in who they are (this is only present when there is no newspaper clipping with the name on it). Many pages either have “The University of Pennsylvania” pressed into the book or written in pencil.[[File:FlyleafClipping.jpeg|frame|flyleaf clipping]] | ||
We know the time period because on the second page, it is written “From 1850 to October 23. 1887.” On the flyleaf, there is a clipping which believes to have been added by the auctioneer reading: “Theatricals in Philadelphia. A very unusual collection of theatre programmes, portraits of leading actors, newspaper notices, &c., Relating to the Theatre in Philadelphia in the latter of the last century, neatly mounted in 15 scrap books. Somebody has devoted almost a lifetime in making this collection. To those interested in Philadelphia theatrical affairs the collection is invaluable.” This clipping is pasted on the first fly leaf, potentially either to put part of the auctioneer in the history or be the book or for whoever owns the book to have a brief description which, otherwise, would not exist. This clipping; however, does tell us the exact dates the clippings are coming from, as well as, the types of clippings that were used in the scrapbook. | We know the time period because on the second page, it is written “From 1850 to October 23. 1887.” On the flyleaf, there is a clipping which believes to have been added by the auctioneer reading: “Theatricals in Philadelphia. A very unusual collection of theatre programmes, portraits of leading actors, newspaper notices, &c., Relating to the Theatre in Philadelphia in the latter of the last century, neatly mounted in 15 scrap books. Somebody has devoted almost a lifetime in making this collection. To those interested in Philadelphia theatrical affairs the collection is invaluable.” This clipping is pasted on the first fly leaf, potentially either to put part of the auctioneer in the history or be the book or for whoever owns the book to have a brief description which, otherwise, would not exist. This clipping; however, does tell us the exact dates the clippings are coming from, as well as, the types of clippings that were used in the scrapbook. | ||
=References= | =References= | ||
<references /> | <references /> | ||
Latest revision as of 01:01, 8 May 2023
The Theatricals in Philadelphia vol. 1 is a collection of clippings from theatricals in Philadelphia, as well as several from New York City and Boston. The scrapbook is Series I out of 15 scrapbooks. The clippings included in the scrapbook span between 1838-1887. The creator of the scrapbook is unknown; however, it is said that the scrapbook was made “over a lifetime.” The clippings are all from American publications, yet some of the clippings are written in French. This is because many theatricals in Philadelphia were either based on or trying to imitate the theatre culture in France. The clippings showcase the places and people who were featured in the theatre/entertainment/shows of the latter half of the 19th century. The book includes over 300 pages of clippings from newspapers, theatre pamphlets, photographs, and advertisements.
Overview
The book gives the reader an overview of the theatre culture of Philadelphia in the second half of the 19th century. It shows the vibrant network of theatres, actors, and actresses that emerged throughout Philadelphia. The number of clippings show not only the cheapness of printed work during the period but also the number of performances that were featured. The reader also gains insight into which actors/actresses the creator of the scrapbook enjoyed most or which actors/actresses were most famous in Philadelphia.
The book itself is not copyrighted; however, the clippings within the books were copyrighted. With that being said, all of them are out of copyright now since the copyright only lasts for 95 years.
The clippings themselves are grouped by author/publisher of the works, as well as grouped by actresses/actors that are included in the book. This shows that the manuscript was well-planned prior to the creation of the scrapbook. [1]
History of scrapbooks
Scrapbooks have a long history in the United States. They became popular with the invention of the printing press which allowed for cheap printed text to be glued into books. Newspapers began to profit not solely from revenue but also profited from advertising sales. Newspaper clippings allowed readers to save, manage, and reprocess information. By the 19th century, tens of thousands, and possibly hundreds of thousands, of Americans made scrapbooks. People from all different classes and backgrounds, as well as people with diverse education order to express themselves.[2] Authors would clip records of their works and make scrapbooks to reference and keep account of publications, physicians documented their own medical careers through scrapbooking, and actors, who were, particularly avid scrapbookers, pieced together reviews and playbills.[3]
Theatre is a profession in which performers get applauded for their work and discussed in public forums; however, the work itself is ephemeral. Ellen Garvey, a scrapbooking historian, points out that scrapbooks were so popular in the entertainment industry, as it was more permanent. Moreover, McGillivray, another historian, calls such artifacts "placeholders in history, tokens that mark that a particular performance occurred at all.” Scrapbooks can also teach us about the key areas in theatre studies, such as national, gendered, and racial performance. They offer us an abundance of information about regional cultural differences, the economy, politics, and sociology.[3]
How it got to UPenn
The scrapbook joined the special collection of UPenn in May 1920 and was purchased from Philadelphia auctioneer Stanislaus Vincent Henkels. The funding for the book came from Morris Lewis Clothier, a large donor, who funded the purchasing of all volumes of the scrapbooks. The original owner/collector remains unknown and only theories on who the creator was based on pencil etchings of names on other volumes of scrapbooks are known. For example, in Volume 7, there is a letter from a theatre addressed to “Mr. Siegel.” With that being said, there is no concrete evidence regarding who created the scrapbook or who the original owner was. The auction house that sold it to UPenn did not have any information regarding the scrapbook’s owner either.[1]
One can notice flipping through the pages the additions that were added over time to the scrapbook. This includes the pencil etchings, pressing in the pages, and stamps that the University of Pennsylvania added. Moreover, there are also references to the Morris Lewis Clothier Collection that the scrapbook is part of at UPenn.
Theatricals in Philadelphia
Philadelphia has witnessed a vibrant theatre scene throughout the city.
A large number of African-American performers emerged from Philadelphia, many of whom performed at the Standard Theatre in Philadelphia. Walnut Street Theatre, which stands out as the most famous theatre in Philadelphia hosted hundreds of thousands of attendants. The theatre was founded in 1808 and is located on the corner of S. 9th Streat in the Washington Square West neighborhood of Philadelphia. The theatre is the oldest operating theatre in the United States. Philadelphia was a pioneer for the theatre industry in the United States and thus, attracted some of the most famous performers. [4]
As a result of Philadelphia being one of the first cities to include a theatre culture, the scrapbook enjoys ample clippings to use in the book. Philadelphia can also serve as a scene for some of the most prominent performers due to the size of the industry. Its proximity to New York and Boston allowed for some of the United State's largest performers able to perform throughout the east coast, including the city of Philadelphia. Many of the theatres dating back to the 19th century, including the Walnut Street Theatre, are still operating today.
Professor Arthur Hobson Quinn & Other Volumes
Professor Arthur Hobson Quinn (1875-1960), joined the of Pennsylvania as a student in 1894 where he received his B.S. and Ph.D. He was appointed an instructor at Penn in mathematics and eventually became an English instructor in 1895. He was then appointed Assistant Professor of English in 1904 and ultimately held the title Welsh Professor of History and English, a very prestigious title. Quinn was appointed as Dean of the College in 1912 and would serve the university as dean until 1922. [5]
The set of books is part of the Collection of American Drama. Under the supervision of Quinn, the collection was expanded significantly. Quinn also oversaw the compilation of the title index, which was completed in 1936 by an unknown employee of the Works Progress Administration. It is believed that numbered pages were penciled in during this time. To those interested in Philadelphia theatrical affairs the collection is invaluable.”[1] As a result of Quinn, the reader is able to have a better ability to navigate the book better, as well as an index for all 15 volumes.
Material
The volumes have two different sets of bindings, one which has a title and the other which does not. The book is handmade and everything is original. There is a title index as well that is meant to give an index to all 15 volumes of the albums. The scrapbook is made from acidic paper from wood pulp, as well as pasteboard/cardboard. The cover is made from red canvas. All of the clippings are black and white except on page 238 which has some blue and red ink.[1] Many of the clippings that have images, which are not photographs, were produced using woodcuts.
There are some clippings and writing that only include a clipping of the name of the performer being shown on the page in order to include the name of the performer. Moreover, On some of the photographs or cutouts of women, underneath it is penciled in who they are (this is only present when there is no newspaper clipping with the name on it). Many pages either have “The University of Pennsylvania” pressed into the book or written in pencil.
We know the time period because on the second page, it is written “From 1850 to October 23. 1887.” On the flyleaf, there is a clipping which believes to have been added by the auctioneer reading: “Theatricals in Philadelphia. A very unusual collection of theatre programmes, portraits of leading actors, newspaper notices, &c., Relating to the Theatre in Philadelphia in the latter of the last century, neatly mounted in 15 scrap books. Somebody has devoted almost a lifetime in making this collection. To those interested in Philadelphia theatrical affairs the collection is invaluable.” This clipping is pasted on the first fly leaf, potentially either to put part of the auctioneer in the history or be the book or for whoever owns the book to have a brief description which, otherwise, would not exist. This clipping; however, does tell us the exact dates the clippings are coming from, as well as, the types of clippings that were used in the scrapbook.
References
- ↑ 1.0 1.1 1.2 1.3 "Theatricals in Philadelphia" scrapbooks, 1838-1936 (bulk 1838-1897). Series I, Volume 1 (generally focusing on opera), 1850-1896.
- ↑ “Theatre Survey: Volume 54 - Issue 2.” Cambridge Core, https://www.cambridge.org/core/journals/theatre-survey/issue/2337060E2A695E212C6B4E052ADF3FDE.
- ↑ 3.0 3.1 "Garvey, Ellen Gruber. Writing with Scissors: American Scrapbooks from the Civil War to the Harlem Renaissance. Oxford University Press, 2013.
- ↑ “History of the Theatre -- Walnut Street Theatre -- Philadelphia, PA -- Official Website.” Walnut Street Theatre, https://www.walnutstreettheatre.org/about/theatre-history.php.
- ↑ Department of English, 1 Jan. 1899, https://www.english.upenn.edu/people/arthur-hobson-quinn.