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'''''A Relation of Some Yeares Travaile''''', published in 1634, represents the genre of travel literature that emerged as English colonial expansion accelerated in the subsequent decades. The author, Thomas Herbert, offers a comprehensive and detailed account of his travels through Persia, East Africa, and nearby islands, meticulously documenting his observations. The book is particularly notable for its exploration of foreign cultures, languages, and traditions, but also due to its depiction of regions that were largely unfamiliar to his contemporaries in England at the time.

== Background: Author, Dedication, and Genre ==
=== Author ===
[https://www.rct.uk/collection/1054126/some-years-travels-into-divers-parts-of-africa-and-asia-by-thomas-herbert Thomas Herbert] was a historian and courtier to [https://en.wikipedia.org/wiki/Charles_I_of_England King Charles I]. This book was initially part of a diplomatic mission led by Sir Dodmore Cotton to Persia.<ref name="author">"HERBERT, THOMAS Some Years Travels into Divers Parts of Africa and Asia ... / [by Thomas Herbert] 1664.” Royal Collection Trust, www.rct.uk/collection/1054126/some-years-travels-into-divers-parts-of-africa-and-asia-by-thomas-herbert. Accessed 11 May 2024. </ref>However, following the mission's failure due to Cotton's death, Herbert continued to travel and gather information across the region<ref name="author" />. He then went on to publish his observations in 1634 which was later expanded and republished in [https://onlinebooks.library.upenn.edu/webbin/book/lookupid?key=uma03066 1638]. The second edition became a significant success and was quickly translated into Dutch and French, indicating the book's widespread appeal and impact on the European audience<ref name="author"/>.
=== Dedication ===
In the dedication section of the book, Herbert recognizes [https://www.historyofparliamentonline.org/volume/1604-1629/member/herbert-sir-philip-1584-1650 Philip Herbert], the 4th Earl of Pembroke. Philip was a prominent figure at the English Court under James I, known for his intelligence, craftiness, and bad temper.<ref name="dedication">“History of Parliament Online.” HERBERT, Sir Philip (1584-1650), of Wilton House, Wilts.; Later of Enfield House, Enfield, Mdx. and The Cockpit, Westminster. | History of Parliament Online, www.historyofparliamentonline.org/volume/1604-1629/member/herbert-sir-philip-1584-1650. Accessed 11 May 2024.</ref> He rapidly ascended in English society after his early introduction to court life. King James I grew a liking to him due to Philip’s passion for hunting.<ref name="dedication" /> Philip had a strategic marriage to Susan de Vere which linked him to the powerful Cecil family, thereby furthering his courtly influence. Philip wasn’t very active from a political standpoint, serving as a Member of Parliament for Glamorgan and later becoming Lord Chamberlain under Charles I.<ref name="dedication" /> Notably, however, Philip was very involved with the arts, sponsoring prominent characters like Shakespeare and Van Dyck. Philip carefully navigated court politics and made significant cultural contributions that left a lasting impact on the English aristocracy. He died in 1650.<ref name="dedication" />
=== Genre ===
In [https://ebookcentral-proquest-com.proxy.library.upenn.edu/lib/upenn-ebooks/reader.action?docID=430908&ppg=84 ''Literature, Travel, and Colonial Writing in the English Renaissance''], [https://profiles.sussex.ac.uk/p131314-andrew-hadfield '''Andrew Hadfield'''] highlights the multifaceted role of travel writing during the late 16th and early 17th centuries, emphasizing its link with political and ideological movements of the era. Travel writing not only served to document geographical and cultural information but also acted as a medium for political commentary and advocacy for colonial expansion.<ref name="hadfield">Hadfield, Andrew. Literature, Travel, and Colonial Writing in the English Renaissance, 1545-1625, Oxford University Press, Incorporated, 1999. ProQuest Ebook Central, https://ebookcentral-proquest-com.proxy.library.upenn.edu/lib/upenn-ebooks/detail.action?docID=430908</ref> Authors like Thomas Herbert used their narratives to influence England's political landscape, promoting ideas that aligned with their beliefs. Travel writing was instrumental in reevaluating personal and national identities. These writings challenged cultural assumptions by introducing readers to the “magnificent other.” Illustrators, like William Marshall, enhanced these works with engravings that complemented the texts' “grandeur.”<ref name="hadfield" /> In the 16th and early seventeenth-century travel writing wasn't strictly defined. Many of these writings often exhibited a Eurocentric view, evaluating and judging foreign cultures through European standards.<ref name="hadfield" /> This strongly influenced political and cultural attitudes toward colonization and interactions with non-European societies.<ref name="hadfield" />

== Important Characters in the Creation of the Book: ==
=== Printers ===
==== William Stansby ====
William Stansby was an influential printer and publisher in early Stuart London, born on July 8, 1572, in Exeter as the third of fourteen children to Richard Stansby, a master cutler. His journey in printing began when he was bound to John Windet, also from Exeter, at the age of eighteen. After gaining his freedom from Windet, Stansby continued working at his master’s shop at the Cross Keys until Windet's death in 1610. He then took over the shop, becoming a master printer himself. Stansby’s tenure was marked by the production of both popular works and prestigious folios, notably enhancing the quality of his press’s output to match the gravitas of works like Ralegh's History of the World and Purchas's His Pilgrimage. His business acumen was also evident as he navigated through complex guild regulations and occasionally ran afoul of the law, notably during a crackdown on seditious publications in 1620. Despite these challenges, Stansby's press was highly regarded, as evidenced by his involvement in high-profile projects and the continuous operation of his printing house until his death in September 1638. His interactions with notable contemporaries like Richard Bishop, who purchased his printing materials, and William J Butler, from whom he acquired copyrights, underscored his pivotal role in the London book trade.
==== Jacob Bloome ====
Jacob Bloome, also recorded under variations like Bloom or Blome, was apprenticed to Ralph Mabbe in 1611 before eventually succeeding him. The variability in the spelling of his surname, similar to the listings of Mabbe as Mabb and Mappe, suggests common inconsistencies in record-keeping of the time. Bloome’s career spanned several trades; he was involved in book selling, cartography, and the sale of maps, indicating a diverse involvement in the literary and informational economies of his time. His family background, with connections to bookbinding and step-relations like George Edwards Sr, further situates him within a network of print and book trade professionals.
=== Engraver: William Marshall ===

William Marshall was an early English engraver active between 1617 and 1649, primarily known for his contributions to the literary and historical significance of the works he illustrated rather than the artistic quality of his engravings. Marshall was part of the first generation of native-born English engravers at a time when the field was dominated by Flemish and Dutch artists associated with prominent figures like Rubens and Van Dyck. Although considered an "uninspired plodder," Marshall's work is historically and biographically important due to the significant literary figures and immortal books he was associated with. He had the distinct privilege of engraving frontispieces for renowned authors and their works, such as Sir Thomas Browne’s Religio Medici, Herrick’s Hesperides, and the Eikon Basilike. Marshall also created portraits from the life of notable individuals like John Milton and John Donne. His contributions helped lay the groundwork for a burgeoning British school of engraving, which flourished in artistic achievement in the subsequent generation with engravers like William Faithorne and David Loggan. Despite his prolific career, little is known about his personal life, underscoring the enigmatic nature of his legacy in the annals of English art history.


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