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The creation and use of the volvelle can be traced to medieval Europe during the 13th century, and its inclusion in [[File:Astrolabe.jpg|thumb|Metal astrolabe, the precursor to the volvelle]] manuscripts increased and grew in popularity between the 14th and 16th centuries. As an era of both deconstruction and devastation, as well as innovation and construction, the exploration of science spurred its invention. Its structure was derived directly from the astrolabe, a metal instrument that was used exclusively for astronomy, predicting the positions of the sun, moon, stars, and planets <ref name="name">Werner, Sarah. “Volvelles.” Folger Shakespeare Library. 11 December 2012. https://collation.folger.edu/2012/12/volvelles/ Accessed 1 Oct. 2018.</ref>. During this period, astronomy and religion had deep-rooted connections within the medieval mind, associating “the above” as a significant mystery within Christianity as well as early scientific thought <ref name="Karr">Karr, Suzanne. “Constructions Both Sacred And Profane: Serpents, Angels, And Pointing Fingers In Renaissance Books With Moving Parts.” The Yale University Library Gazette, Vol. 78, No. 3/4 (April 2004),  Pages 101-127. https://www.jstor.org/stable/40859568 Accessed 1 Oct. 2018.</ref>. The elements outside of Earth’s sphere were considered “heavenly bodies” and the volvelle helped to inform the viewer of their movements in the distant and intriguing features of the sky. The calculations done in such arenas were considered very sacred with “supernatural potential” because it entered the realm of the underlying structure of the universe, connoting for many the entrance into the mind of the Creator <ref name="name" />. The volvelle was in a way a “violating” instrument that went against the normal conventions of obtaining information. With any innovation, there were initially skeptics who believed the users of volvelles were users of black magic <ref>Martin, Rheagan. “Decoding the medieval Volvelle: Made from circles of paper or parchment, the volvelle was part timepiece, part floppy disk, and part crystal ball.” The Iris: Behind the Scenes at the Getty,  J. Paul Getty Trust, 23 July 2015 http://blogs.getty.edu/iris/decoding-the-medieval-volvelle/ Accessed 1 Oct. 2018.</ref>. Quick calculations or results, especially concerning the future movements of the celestial realm (which intruded on the mysterious will of God), were seen as suspect, suggesting the employment of higher forces to provide these exact answers. Machinery or instruments of this kind were thought to be a form of intrusion or cheating into the powerful realm of calculations for the purposes of prediction or divination <ref name="Karr" />.
The creation and use of the volvelle can be traced to medieval Europe during the 13th century, and its inclusion in [[File:Astrolabe.jpg|thumb|Metal astrolabe, the precursor to the volvelle]] manuscripts increased and grew in popularity between the 14th and 16th centuries. As an era of both deconstruction and devastation, as well as innovation and construction, the exploration of science spurred its invention. Its structure was derived directly from the astrolabe, a metal instrument that was used exclusively for astronomy, predicting the positions of the sun, moon, stars, and planets <ref name="name">Werner, Sarah. “Volvelles.” Folger Shakespeare Library. 11 December 2012. https://collation.folger.edu/2012/12/volvelles/ Accessed 1 Oct. 2018.</ref>. During this period, astronomy and religion had deep-rooted connections within the medieval mind, associating “the above” as a significant mystery within Christianity as well as early scientific thought <ref name="Karr">Karr, Suzanne. “Constructions Both Sacred And Profane: Serpents, Angels, And Pointing Fingers In Renaissance Books With Moving Parts.” The Yale University Library Gazette, Vol. 78, No. 3/4 (April 2004),  Pages 101-127. https://www.jstor.org/stable/40859568 Accessed 1 Oct. 2018.</ref>. The elements outside of Earth’s sphere were considered “heavenly bodies” and the volvelle helped to inform the viewer of their movements in the distant and intriguing features of the sky. The calculations done in such arenas were considered very sacred with “supernatural potential” because it entered the realm of the underlying structure of the universe, connoting for many the entrance into the mind of the Creator <ref name="name" />. The volvelle was in a way a “violating” instrument that went against the normal conventions of obtaining information. With any innovation, there were initially skeptics who believed the users of volvelles were users of black magic <ref>Martin, Rheagan. “Decoding the medieval Volvelle: Made from circles of paper or parchment, the volvelle was part timepiece, part floppy disk, and part crystal ball.” The Iris: Behind the Scenes at the Getty,  J. Paul Getty Trust, 23 July 2015 http://blogs.getty.edu/iris/decoding-the-medieval-volvelle/ Accessed 1 Oct. 2018.</ref>. Quick calculations or results, especially concerning the future movements of the celestial realm (which intruded on the mysterious will of God), were seen as suspect, suggesting the employment of higher forces to provide these exact answers. Machinery or instruments of this kind were thought to be a form of intrusion or cheating into the powerful realm of calculations for the purposes of prediction or divination <ref name="Karr" />.


Its practicality grew and individuals like Ramon Llull, a Franciscan monk and scholar from Spain, made use of the volvelle in diverse ways. The volvelles contained in his manuscript ''Ars Magna'' (1302) were designed for both scientific and religious purposes, and were used primarily as means to convert Muslims to Christianity <ref name="Priani">Priani, Ernesto. "Ramon Llull", The Stanford Encyclopedia of Philosophy (Spring 2017 Edition), Edward N. Zalta (ed.), https://plato.stanford.edu/archives/spr2017/entries/llull/ Accessed 30 Sept. 2018.</ref>. Employing volvelles, which would answer any question about nearly all of creation through circular layers of nine letters to configure the nine names of God, provided irrefutable proof of truths akin to the scientific method as part of Christian doctrine <ref name="Priani" />.  It settled religious debates by combining attributes from both of the monotheistic religions of Islam and Christianity through triple layers of paper wheels. It was used for standardization, existing as a sort of tool of spectacular trickery. Overall, the volvelles in ''Ars Magna'' reflect how with certain methodologies can be used to make concepts more easily understandable, but were simultaneously impressive to the reader/user. Its effectiveness reflected a responsive nature in this period towards visual stimulus compared to reading text. Ars Magna astounded those unfamiliar with it, exerting Llull’s authority as a holder of profound information <ref name="Priani" />.
Its practicality grew and individuals like Ramon Llull, a Franciscan monk and scholar from Spain, made use of the volvelle in diverse ways. The volvelles contained in his manuscript ''Ars Magna'' (1302) were designed for both scientific and religious purposes, and were used primarily as means to convert Muslims to Christianity <ref name="Priani">Priani, Ernesto. "Ramon Llull", The Stanford Encyclopedia of Philosophy (Spring 2017 Edition), Edward N. Zalta (ed.), https://plato.stanford.edu/archives/spr2017/entries/llull/ Accessed 30 Sept. 2018.</ref>. Employing volvelles, which would answer any question about nearly all of creation through circular layers of nine letters to configure the nine names of God, provided irrefutable proof of truths akin to the scientific method as part of Christian doctrine <ref name="Priani" />.  It settled religious debates by combining attributes from both of the monotheistic religions of Islam and Christianity through triple layers of paper wheels. It was used for standardization, existing as a sort of tool of spectacular trickery. Overall, the volvelles in ''Ars Magna'' reflect how with certain methodologies can be used to make concepts more easily understandable, but were simultaneously impressive to the reader/user. Its effectiveness reflected a responsive nature in this period towards visual stimulus compared to reading text. ''Ars Magna'' astounded those unfamiliar with it, exerting Llull’s authority as a holder of profound information <ref name="Priani" />.


==Evolved Uses in Science==
==Evolved Uses in Science==

Revision as of 03:15, 29 November 2018

Originating as a slide chart with overlapping rotatable paper or parchment circles that are connected in the center and contained within a manuscript or codex, the volvelle was used between the 13th and 16th centuries to predict or record external events based on the alignment of written or drawn symbols or words. Being useful just as they are intricate and striking, they are deployed often to teach concepts to individual learners. The volvelle defies the formal convention of the book due to its impermanence, and its reliance on interaction. It connects external events to the book, integrating the instrument and book, extending its relevant authority contained within the text in a practical way to obtain real world information.

Introduction

Analyzing the evolution of the volvelle from their medieval origins through the subsequent centuries through several important examples will provide an understanding of their changing functions and their eventual demise in the 16th century. Whether it was used as propaganda to promote the spread of Christianity, a tool to understand astronomical principals, or a practical guide for understanding the natural world, the medieval volvelle was based on the geocentric theories of Ptolemy. As the astronomical concepts of Copernicus became more widely adopted over this system, the volvelle soon became obsolete. It was only with the invention of the die-cut printing press that a different form of the volvelle, independent of the book, reemerged in the mid-20th century. Medieval or modern, this instrument augmented or replaced the formal narrative-driven structure of the conventional book through its ability to condense or miniaturize information into a tool that required the interaction of the reader. In this context, the volvelle is a side-step in the evolution of the book because of its ability of to condense textual information and to radically restructure how a reader receives it. The volvelle could be considered a parallel to the reinvention of internet article and text formats as devised by Ted Nelson in Project Xanadu [1]. The volvelle is analogous to Nelson’s ideas because it changes the format of the book in the way it is read, embedding the text of the book within its structure; the same way that hypertext allows for the immediate comparison of sets of information or documents to other sources [1]. In both cases, the viewer becomes an interactive generator who “finds” their own information. The volvelle and the structure of Project Xanadu are instruments of personal discovery, which differs from the linear structure of text. It is less instructive and more constructive since it results in different information each time depending on what the reader is is trying to discern. A volvelle augments the text of a manuscript by providing a pragmatic use or application for overarching subjects or ideas, whether it be in the fields of religion or science [2].

Origins with a Religious Overtone

The creation and use of the volvelle can be traced to medieval Europe during the 13th century, and its inclusion in

Metal astrolabe, the precursor to the volvelle

manuscripts increased and grew in popularity between the 14th and 16th centuries. As an era of both deconstruction and devastation, as well as innovation and construction, the exploration of science spurred its invention. Its structure was derived directly from the astrolabe, a metal instrument that was used exclusively for astronomy, predicting the positions of the sun, moon, stars, and planets [3]. During this period, astronomy and religion had deep-rooted connections within the medieval mind, associating “the above” as a significant mystery within Christianity as well as early scientific thought [4]. The elements outside of Earth’s sphere were considered “heavenly bodies” and the volvelle helped to inform the viewer of their movements in the distant and intriguing features of the sky. The calculations done in such arenas were considered very sacred with “supernatural potential” because it entered the realm of the underlying structure of the universe, connoting for many the entrance into the mind of the Creator [3]. The volvelle was in a way a “violating” instrument that went against the normal conventions of obtaining information. With any innovation, there were initially skeptics who believed the users of volvelles were users of black magic [5]. Quick calculations or results, especially concerning the future movements of the celestial realm (which intruded on the mysterious will of God), were seen as suspect, suggesting the employment of higher forces to provide these exact answers. Machinery or instruments of this kind were thought to be a form of intrusion or cheating into the powerful realm of calculations for the purposes of prediction or divination [4].

Its practicality grew and individuals like Ramon Llull, a Franciscan monk and scholar from Spain, made use of the volvelle in diverse ways. The volvelles contained in his manuscript Ars Magna (1302) were designed for both scientific and religious purposes, and were used primarily as means to convert Muslims to Christianity [6]. Employing volvelles, which would answer any question about nearly all of creation through circular layers of nine letters to configure the nine names of God, provided irrefutable proof of truths akin to the scientific method as part of Christian doctrine [6]. It settled religious debates by combining attributes from both of the monotheistic religions of Islam and Christianity through triple layers of paper wheels. It was used for standardization, existing as a sort of tool of spectacular trickery. Overall, the volvelles in Ars Magna reflect how with certain methodologies can be used to make concepts more easily understandable, but were simultaneously impressive to the reader/user. Its effectiveness reflected a responsive nature in this period towards visual stimulus compared to reading text. Ars Magna astounded those unfamiliar with it, exerting Llull’s authority as a holder of profound information [6].

Evolved Uses in Science

During this era of increasing scientific inquiry, the volvelle was quickly adopted as a valuable tool by religious and scientific scholars throughout Europe. The myths of black magic were debunked in favor of using the volvelle to explain the natural world. By the 14th century, the inclusion of the volvelle in manuscripts spread through the Middle East and into Western Europe, and became an instrument more widely used for strictly scientific purposes. The physical structure of the volvelle itself was based on the Ptolemaic model of the universe, which was widely accepted prior to the heliocentric concepts of Copernicus. The accuracy, shape, and structure of the volvelle depended on a geocentric system that held the Earth as the center of the universe with external astronomical objects as orbiting in perfect circles [7] The Copernican Revolution disproved the theory of eccentric motion, as well as the concept of the epicycle and the deferent, which were terms involved in a complicated theory to explain the retrograde motions of the planets [7]. Without the viewer standing at the epicenter, looking outwards into a revolving world of circular orbits, the predictions afforded by the volvelle were incorrect. At that point, the volvelle nearly disappeared over a relatively short period of time [2].

Evolved Uses in Daily Life

However, during its increasing use between the 14th and 16th centuries, it is essential to note that it was also not merely used by scholars and astronomers. It also had everyday pragmatic uses including: providing a means for navigation of the sea or land based on the stars; for agricultural purposes to determine periods for planting based on the seasons; predicting astronomical events such as eclipses (which were frightening events to behold at the time); and in the employment of medical procedures such as bloodletting during predicted phases of the moon [8]. Another practical feature of the volvelle is its construction from paper or parchment, which was much more accessible and economical than the metal astrolabe. The medieval volvelle did not work alone, it was complementary to the text it accompanied, demonstrating the theories and ideas about the physical world and allowing the reader/user to prove it for themselves. It extended the scientific method into the real world environment, validating the basis of science by advocating constant reevaluation and judgement by differing individual perspectives [9]. The volvelle allowed for a proactive dialogue in which the reader interjects questions in the form of selected variables.


Apian wheels, a subcategory of volvelles

Notes

  1. 1.0 1.1 Hern, Alex. “World’s Most Delayed Software Released After 54 Years of Development.” The Guardian, 6 June 2014. https://www.theguardian.com/technology/2014/jun/06/vapourware-software-54-years-xanadu-ted-nelson-chapman Accessed 1 Oct. 2018
  2. 2.0 2.1 Drennan, Anthony S. “The Bibliographical Description of Astronomical Volvelles and Other Moveable Diagrams.” The Library, Volume 13, Issue 3, 1 Sept. 2012, Pages 316–339. Oxford University Press: University of Oxford https://doi.org/10.1093/library/13.3.316 Accessed 1 Oct. 2018.
  3. 3.0 3.1 Werner, Sarah. “Volvelles.” Folger Shakespeare Library. 11 December 2012. https://collation.folger.edu/2012/12/volvelles/ Accessed 1 Oct. 2018.
  4. 4.0 4.1 Karr, Suzanne. “Constructions Both Sacred And Profane: Serpents, Angels, And Pointing Fingers In Renaissance Books With Moving Parts.” The Yale University Library Gazette, Vol. 78, No. 3/4 (April 2004), Pages 101-127. https://www.jstor.org/stable/40859568 Accessed 1 Oct. 2018.
  5. Martin, Rheagan. “Decoding the medieval Volvelle: Made from circles of paper or parchment, the volvelle was part timepiece, part floppy disk, and part crystal ball.” The Iris: Behind the Scenes at the Getty, J. Paul Getty Trust, 23 July 2015 http://blogs.getty.edu/iris/decoding-the-medieval-volvelle/ Accessed 1 Oct. 2018.
  6. 6.0 6.1 6.2 Priani, Ernesto. "Ramon Llull", The Stanford Encyclopedia of Philosophy (Spring 2017 Edition), Edward N. Zalta (ed.), https://plato.stanford.edu/archives/spr2017/entries/llull/ Accessed 30 Sept. 2018.
  7. 7.0 7.1 Jones, Alexander Raymond. “Ptolemaic System.” Encyclopedia Britannica. 16 June 2008. https://www.britannica.com/science/Ptolemaic-system Accessed 30 Sept. 2018.
  8. Guarnini, Cristiano. “Peter Apian's Cosmographicus Liber.” Thinking 3D: University of St. Andrews. 4 Dec. 2017. https://www.thinking3d.ac.uk/Apian1524/ Accessed 30 Sept. 2018.
  9. Miranker, Emily. “The Original ‘App’: Paper Volvelles.” Books, Health, and Medicine: The New York Academy of Medicine. 12 June 2017. https://nyamcenterforhistory.org/2017/06/12/the-original-app-paper-volvelles/ Accessed 30 September 2018.