Titles/Title Pages/Incipits/Colophons: Difference between revisions

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== Introduction ==
== Introduction ==


How do you identify a book? In current times, most people would answer this seemingly obvious question with “the title.” But relatively speaking, the title, and its associated technologies of the title page, incipit, and colophon have only been around for so long; each of these technologies had to be invented. Prior to these inventions, books were designated by other means. This could be done in a couple of different ways: clay tablets were designated by numbers, Ancient Hebrew texts by the first few words (comparable to an incipit), and even the ancient oral stories of Greece and Rome were titled after the fact, most likely by scribes or grammarians. <ref> Levin, Harry. “The Title as a Literary Genre.The Modern Language Review, vol 72, no. 4, Published by Modern Humanities Research Association, October 1977,pp. xxiv-xxv,JSTOR.https://www.jstor.org/stable/3724776. </ref> Following this age, titling devices were invented, and tracing the trajectory of titles, title pages, incipits, and colophons throughout book history proves valuable not only bibliographically, but when looking toward the current digital incunable age.  
How do you identify a book? In current times, most people would answer this seemingly obvious question with “the title.” But relatively speaking, the title, and its associated technologies of the title page, incipit, and colophon have only been around for so long; each of these technologies had to be invented. Prior to these inventions, books were designated by other means. This could be done in a couple of different ways: clay tablets were designated by numbers, Ancient Hebrew texts by the first few words (comparable to an incipit), and even the ancient oral stories of Greece and Rome were titled after the fact, most likely by scribes or grammarians. <ref> Levin, “The Title as a Literary Genre, pg. xxiv-xxv.</ref> Following this age, titling devices were invented, and tracing the trajectory of titles, title pages, incipits, and colophons throughout book history proves valuable not only bibliographically, but when looking toward the current digital incunable age.  


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Revision as of 16:02, 25 November 2018

Introduction

How do you identify a book? In current times, most people would answer this seemingly obvious question with “the title.” But relatively speaking, the title, and its associated technologies of the title page, incipit, and colophon have only been around for so long; each of these technologies had to be invented. Prior to these inventions, books were designated by other means. This could be done in a couple of different ways: clay tablets were designated by numbers, Ancient Hebrew texts by the first few words (comparable to an incipit), and even the ancient oral stories of Greece and Rome were titled after the fact, most likely by scribes or grammarians. [1] Following this age, titling devices were invented, and tracing the trajectory of titles, title pages, incipits, and colophons throughout book history proves valuable not only bibliographically, but when looking toward the current digital incunable age.

Notes

  1. Levin, “The Title as a Literary Genre,” pg. xxiv-xxv.

Works Cited

Levin, Harry. “The Title as a Literary Genre.” The Modern Language Review, vol 72, no. 4, Published by Modern Humanities Research Association, October 1977, pp. xxiii-xxxvi, JSTOR. https://www.jstor.org/stable/3724776